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General
information about the quilt collections at the MSU Museum

In
1952, the first quilts were accessioned into the MSU Museums collections
when the museum acquired the entire contents of another museum which was
dismantled. Built primarily through donations from collectors and quilters
and augmented by a small acquisition fund, the museum quilt collection
now numbers more than 700 significant historical and contemporary quilts.
Unique collections include The
Mary Schafer Quilt and Ephemera Collection, The
Kitty Clark Cole Collection, The
Merry and Albert J. Silber Collection, The
Clarke Family Quilt Collection, The
Deborah Harding Redwork Collection, The
Durkee-Blakeslee-Quarton-Hoard Family Quilt Collection, The
Michigan African-American Quilt Collection, The Cuesta Benberry Quilt and EphemeraCollection, and The
North American Indian and Native Hawaiian Quilt Collection. The quilt
collections are housed in state-of-the-art rolled storage system in the
museums Cultural Collections Resource Center. Full and part-time
curatorial and collection management staff supervise the daily care and
special uses of the collections.
The Great Lakes Quilt Center also houses the Michigan
Quilt Project Inventory files and the collections of materials (tape-recorded
interviews, photos, field notes, patterns and other ephemera) generated
by the centers research projects. In addition, the center includes
a room-use only library of over 3000 quilt and textile titles, including
the Eve Boicourt Collection. The quilts and supporting materials provide
the basis for ongoing research projects which result in the development
of publications, exhibitions, public programs, and media projects.
By the close of the 20th century, the museums quilt-related research,
collection, and education activities have grown substantially and are
now recognized nationally. Through the dedicated energy and support of
many individuals and organizations the center has become an important
agent in the preservation of quilts and quilt ephemera as well as a leader
in the development of innovative programs to make the collections and
resources widely available for educational and research use. As the 21st
century begins, the center looks forward to further increasing the accessibility
of its resources to a wider audience, encouraging more engagement of individuals
in the study of quilting, and continuing its active role in the preservation
of quilts and quilt-related information.
-- by Marsha MacDowell [excerpt from Marsha MacDowell, ed., Great Lakes,
Great Quilts. Concord, California: C&T Publishing, 2001
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